Hailing from Costa Rica, BLOODSOAKED NECROVOID formed in 2018 and quickly set to work on their first recordings. Two demos followed that year, which were later compiled onto vinyl format as Apocryphal Paths Of The Ancient 8th Vitriolic Transcendence via IRON BONEHEAD in early 2019. Later that year came a limited promo/rehearsal recording a split tape with Ratlord. Through all these suffocating recordings, the duo built a smokestack of charred DEATH so impossibly bleak as to be unbearable. And now, they eclipse that feat with their long-awaited, literally-massive debut album...
Slowly yet surely, CROSS VAULT have built a small-yet-stellar canon of releases that are extremely personal in nature and absolutely poignant in execution and effect. After two acclaimed cult albums - Spectres of Revocable Loss and The All-Consuming in 2014 and 2015, respectively - CROSS VAULT joined with IRON BONEHEAD for the release of a special mini-album, Miles to Take, released in late 2016. Although "just" two songs, this epic short-length was a transitional record in more ways than one: the quintet had solidified its lineup after two members had graduated from "session" status, and the sum result suitably proved stunning, showing how far they could stretch their Viking doom sound whilst keeping it fiercely focused. CROSS VAULT were on the march...
DEATCULT's classic 2012 demo, originally on tape, now released by Iron Bonehead on a killer LP. Truly depraved, Swiss black/death for devotees of the foulest...
A unique, nearly-nameless entity from Sweden, FOR create sepulchral black/death metal from uniquely-located, surely-nameless depths. Their Kundaz debut album appeared seemingly out of nowhere in early 2013, and now arrives the Blakaz Asko Hertô 12" MLP via IRON BONEHEAD PRODUCTIONS. Devoted to the Germanic black witch Gullveig and her Thursian bloodline of ravenous hordes of wolves and werewolves, the concept of FOR 's music is based upon the sacred bindrune, Ulfhamir, and pursues to invoke the black wolf-spirit within.
Hailing from Germany, SANCTIFYING RITUAL formed in 2008. The Sadistic Death demo followed a year later, but it would be another three years before the next demo, Carved in Rotten Remains, arrived. During that time, members were busy with such well-regarded cults as Nocturnal Witch and Division Speed, but SANCTIFYING RITUAL still burned in their black hearts. A four-song EP, Storm of Devastation, arrived in 2013 before the band would remain silent...
- 300gsm Regular Jacket With Matt Varnish & Interior Flooded In Black - 140g Black Vinyl - 4 Pages Insert In 12" Size On 150gsm Art Paper With Matt Varnish - A3 Poster On 150gsm Art Paper With Gloss Varnish - Limited To 500 Copies - Mastered By D. Lowndes/Resonance Studio - Cover By B. Johnson
By now, TEMPLE NIGHTSIDE require little to no introduction. Begun in 2010 by mainman IV - whose experience in the fertile Australian black metal underground is vast in itself - to explore a more blackened version of ancient death metal, the band's initially self-described "Ritualistic Death Metal Necromancy" eventually morphed into more atmospheric and more deeply cavernous shapes, culminating in 2016's critically acclaimed The Hecatomb. But such acclaim matters not to TEMPLE NIGHTSIDE, and the now-quartet next explored their past with the foul 'n' fascinating Recondemnation in 2018, which was a reimagining of their 2013 Condemnation debut album.
Germany?s The Fog is an intense three-piece unit that plays some very good Doom/Death metal.
THE FOG down pick away to destruction on Perpetual Blackness. The vocals on here are quite intense. The occasional uppicks and transition riffs scale up the fretboard punk-style. I?d perhaps describe their style as venerable doom act COFFINS meets Finland?s underrated Lantern in a back alley brawl. If you?re a fan of doom/death, this is one record to check out.
The dawn of 2019 gave birth to a five-piece underground project emerging straight out of the void. Hailing from Viana do Castelo, Portugal, the black/death metal act VØIDWOMB was assembled to give expression to the ideas of M.S.Void (vocals) and the blood brothers Noctvs (drums) and F.S (bass). The last one invited Lord (guitar) to join in. After just one rehearsal, they felt the need to give more body and fullness to the band's sound. Fractal (guitar) entered the fray, and the circle was closed at last. The act of creation begun then in full force.
The first creation comes in the form of a five-song/18-minute EP aptly titled Altars of Cosmic Devotion. Fully fleshed out and shockingly accomplished, VØIDWOMB's public debut powerfully displays a punishing style of blackened death that authentically hearkens to the early '90s...
