From the very depths of the German underground, ARCHAIC THORN is anouncing the imminent release of their debut EP called "In Desolate Magnificence" through UNHOLY PROPHECIES. After an outstanding Demo, released back in 2013, the German trio has recorded 4 new tracks + intro of the most pure and deep Nihilistic Death Metal you've heard for quite some time now.
3 years are gone since Tod & Teufel, the last ARROGANZ album came out. Now the time has come to unleash a brandnew beast, entitled simply "PRIMITIV". But no, it doesn't sound primitive or simple, here waiting 6 new songs and with no doubt ARROGANZ' best written material so far. It would be just to easy to call it Death or blackened Death Metal...it's more than this...
Almost a year ago BALMOG recorded what they considered the most ambitious recording of the band: "Pillars Of Salt"
Under this enigmatic title, an introspective journey into the darkest tradition of rock and extreme metal is hidden, near 20 minutes of oppression and mysticism contained in a single track recorded in the damn Moontower Studios under the orders of Javier Félez.
BODE PRETO's debut titled "Inverted Blood" finally gets the deserved vinyl treatment through Unholy Prophecies. And we are more than proud about that! This album is nothing but an outstanding manifest of the most pure, evil, dark Blackened Death Metal coming of Southamerican lands. Do you remember those days in the late 80's / early 90's when tapetrading ruled the world? Do you remember the first impact of bands like SARCOFAGO, VULCANO, VON, BLASPHEMY and that kind of bands?
Second full length of this pure old-school Death/Black Metal band from Brazil. A typical Southamerican obscure attack of the most utterly deep darkness. For fans of SARCÓFAGO, VULCANO, VON, IMPALED NAZARENE and the likes. This album will crush all the fucking bones in your body. I warn you!!!!
In 1991, Dark Opera was formed in Lodz, Poland, the very same city in which the band’s compatriots of similar ilk in Pandemonium had united approximately two years earlier. Dark Opera’s first year of existence was plagued by several lineup changes, but it stabilized later that year when the band began to write its own songs and played its first live gig in Lomza. The following April, Dark Opera recorded its first demo, "The Day of Pariah", at Ariadna Studio in Lodz. Originally, this cassette was self-released, but the band was later signed by Carnage Records, who released a second iteration of the tape with alternate artwork. In 1993, the band added a second guitarist and recorded its first and only album, "Calling the Legend", in April of that same year. Like the demo that had preceded it, the album was released by another Polish label, Baron Records, who made it available on cassette format only. Like the aforementioned Pandemonium, Dark Opera’s music was reminiscent of the great Samael and others like Alastis and Taranis, but it also incorporated a somewhat greater influence from both death and doom metal. Nuclear War Now! is proud to be the first to reissue both Dark Opera recordings on vinyl and thus continue its neverending objective of rekindling the great fires once set and then left unattended in the most obscure caverns of the underground.
Amongst wild structures embroiled in an endless fight of domination, amongst dissolving forms pretending to know right and wrong, trying to justify their own being. In between this fuss you can find a certain figure that doesn?t care about all this, a figure that is and does not pretend to be. Complex in it?s simplicity it satisfies itself. "Schattenbringer" does not bring truth but all it?s different kinds. Constructs made of contrast.
A unique, nearly-nameless entity from Sweden, FOR create sepulchral black/death metal from uniquely-located, surely-nameless depths. Their Kundaz debut album appeared seemingly out of nowhere in early 2013, and now arrives the Blakaz Asko Hertô 12" MLP via IRON BONEHEAD PRODUCTIONS. Devoted to the Germanic black witch Gullveig and her Thursian bloodline of ravenous hordes of wolves and werewolves, the concept of FOR 's music is based upon the sacred bindrune, Ulfhamir, and pursues to invoke the black wolf-spirit within.
UNHOLY PROPHECIES, in conspiracy with Equinox Discos, is proud to present INSULTERS highly anticipated second album, "Metal Still Means Danger". Aptly fucking titled, "Metal Still Means Danger" is a literal statement of intent from these rude 'n' crude Catalonian bastards. Unrepentantly ugly since the beginning (and to the bitter end, we'd wager), INSULTERS formed in 2008 with the apparent aim to defile and then destroy all in their path. A couple demos and a split came before they accomplished exactly that with their debut album, the also-aptly-titled "We Are the Plague". Released in 2013 by Unholy Prophecies and Equinox Discos, "We Are the Plague" became something of a "sleeper hit" with those lucky few who heard it: INSULTERS offered a refreshingly ribald and gleefully gut-busting hybrid of blackthrash and old-school death metal, with a pinch of rock 'n' roll and even D-beat to be found.
Vinyl treatment of the critically acclaimed Dark Descent release. Psychologically torturing, dark, chaotic Canadian Black/Death Metal with a unique, suffocating atmosphere.
Limited edition of 400 black copies in a beautiful, glossy gatefold sleeve.
Unholy Prophecies is proud to present a special new EP from Sweden's PUTRIFIED, fittingly titled "The Flesh. The Scythe. The Tomb." Formed in 2010, PUTRIFIED began as a solo-project of one A. Death, but has recently coalesced into a full, four-person lineup. Presented on 7" vinyl, "The Flesh. The Scythe. The Tomb." is the first studio recording to feature this new, superior PUTRIFIED lineup. And despite seeming strangely squashed with six songs across a 7" EP, "The Flesh. The Scythe. The Tomb." presents a unique aspect to PUTRIFIED's ever-solidifying aesthetic.
Unholy blackened Thrash Metal from Rome! New EP released through Empire Records. This is the silver / black splattered version with sticker limited to just 100 pieces.
Supremely dark and majestic, SUSPIRAL's music is a coalescence of frantic guitar-working and mesmerizing, noisy solos raising from chaos like bloody spears pointed at a black hole sky. The band's apocalyptic and unmerciful assault is tempered by the obscure, trance-inducing aura of the melodies, and by a well-structured songwriting, so dense of shades, sonic details and unexpected twists and turns that the 33 minutes of "Delve Into The Mysteries Of Transcendence" end up looking like an odyssey. The purpose is to explore the true depths of darkness instead of safely swimming on its surface, like too many bands are content to do. But SUSPIRAL have no fear to drown: they bravely jump into the vacuum, sure to ascend.
